Flemish Baroque Era Painter, 1568-1625 was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed "Velvet" Brueghel, "Flower" Brueghel, and "Paradise" Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. He was born in Brussels. His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger ("Hell Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father's than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill. Many of his paintings are collaborations in which figures by other painters were placed in landscapes painted by Jan Brueghel.  Related Paintings of Jan Brueghel The Elder :. | Landscape with Windmills | Bouquet | Village Scene with a Canal, | The Entry of the Animals Into Noah Ark | Forest's Edge |
Related Artists:
Edmund Blair Leighton
1853-1922 British Leighton was the son of the artist Charles Blair Leighton. He was educated at University College School, before becoming a student at the Royal Academy Schools. He married Katherine Nash in 1885 and they went on to have a son and daughter. He exhibited annually at the Royal Academy from 1878 to 1920. Leighton was a fastidious craftsman, producing highly-finished, decorative pictures. It would appear that he left no diaries, and though he exhibited at the Royal Academy for over forty years, he was never an Academician or an Associate.
Frans Pourbus the younger
Flemish Baroque Era Painter, 1569-1622 was a Flemish painter, son of Frans Pourbus the Elder and grandson of Pieter Pourbus. He was born in Antwerp and died in Paris. He is also referred to as "Frans II". Pourbus worked for many of the highly influential people of his day, including the Brussels-based Spanish Regents of the Netherlands, the Duke of Mantua and Marie de' Medici, Queen of France. Works of his can be found in the Louvre, the Prado, the Rijksmuseum, the Royal College of Art, the Metropolitan Museum of Art and many other museums.
Francken, Frans II
b. 1581, Antwerpen, d. 1642, Antwerpen Painter, son of Frans Francken I. Of all the members of the Francken family, Frans II is the most important and still the most widely known. There are paintings by him in all large public collections in Europe. Besides altarpieces and painted furniture panels, he produced mainly small cabinet pictures with historical, mythological or allegorical themes. Frans II's rank as an artist is not so much derived from his extensive output as from his innovative subject-matter: his depictions of luxuriously decorated Kunstkammern and art galleries